Adrienne Arth\u00a0works on “edges” between the intimate and the public, the\u00a0real and its metamorphosis,\u00a0always on this thread of fragility\u00a0specific to the moment when the photo reports on the world as well as\u00a0liberates it from itself with an offset writing..<\/p>\n
She feels an\u00a0affinity with photographers like John Batho, Mario Giacomelli, Saul\u00a0Leiter.<\/p>\n
Her photos are\u00a0stage sets, where the living appear like figures, tension lines,\u00a0colors games. Where\u00a0blurred areas soften the outlines of things and\u00a0beings. Reflections, glass surfaces, snow or rain display a\u00a0veil on\u00a0her landscapes which are between reality and imagination.<\/p>\n
Each snapshot\u00a0has its own life and creates a polyphony with the others.<\/p>\n
Working with\u00a0colors and almost exclusively in direct drive, except in the series\u00a0“overlays” designated as\u00a0such, Adrienne Arth questions the\u00a0real in its evidence and its surprise with an immediate and inquiring\u00a0image.<\/p>\n
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